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Mc Lada, 2002

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Mc Lada is a title of the project that I made for an exhibition in the Belgrade gallery named “Happy Gallery”. I was invited to collaborate in an exhibition cycle entitled Contemporary Art scene of Slovenia. The whole exhibition was organised by the curator Miki Pjescic.

I prepared some work for the exhibition, which had a specific of being set up just for one day. That specific gave the exhibition a touch in a sense of a happening. That fact was important for my decision to make some action and not a classical piece of art.

Ironically I wanted to blow up an ego of an artist, in that case my own ego, because now a day’s artists spend the majority of their time on promotion and self-advertising. The density of the art population have forced artists to develop their own recognisable style, if they want to be noticed in the crowd of art works. So the result is often just self-propaganda.

This resulted in 100 balloons printed with my portrait indicating an overblown ego, like Mc Donalds promotions balloons, which the visitor could take and home from the gallery. So that evening people were walking around with my portrait printed on the balloons. Slowly my work disappeared and at the end the gallery was empty, my work was moved to visitors’ homes and they now own a piece of my sculpture.


The exhibition went on in couples. Metka Zupanic and I decided (she represented her work with video performances) to make one more piece together, that would make our separated works more connected and actively involve the visitor in a happening.
The visitors became a part of the live installation, which had associations with Manet’s Breakfast on the grass.

We wanted to stress the point of hedonism. We tried to stimulate communication and create a two-way relationship with the visitors, as this is very important part of any artistic act for both of us.

 
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